Fifteen years ago, our favorite female sleuth made her first appearance on UPN (later turned CW) in Veronica Mars. Three television seasons, a Kickstarter-backed film, and two books later, Veronica Mars is being revived thanks to the beloved streaming platform Hulu.

From the get go, Veronica Mars has sparked the conversation on many ‘controversial’ topics – well ahead of its time – that were handled so well and subtly, you never felt like you were being lectured to. Within the first season, writer-creator Rob Thomas tackled topics like rape, slut-shaming, transphobia, racial stereotypes, and the most prevalent theme at hand is the war and divide between “the have and the have-nots”.

Kristen Bell’s portrayal of Veronica Mars and V’s sassy, yet endearing, personality has taken the marshmallow community by storm. The character is one that is efficacious and sharp, but is not without flaws. Veronica allows each of us to resonate with her as a person, with her struggles, with her traumas; she is and remains a grounded, human character.

The Murder Mystery

Set five years after the Veronica Mars Kickstarter film, three young spring breakers and a motel manager are dead after a bomb explodes in the office of the Neptune Sea Sprite Motel. This is the first of more to come, all of which are hurting the Spring Break destination and beachfront businesses. Hired by the Maloof’s, a wealthy and politically rich family of one of the injured victims, Mars Investigations is on the case to figure out who this serial bomber could be.

Meanwhile, Veronica finally gets a Pony, Logan (Jason Dohring) – a navy intelligence officer – returns home into the arms of Veronica, Papa Mars (Enrico Colantoni) is physically recovering from the car accident that occured in the film and reeling through the emotions of a potentially serious medical issue, Wallace (Percy Daggs III) seems to be happily solidified in his married life and career as a teacher at Neptune High, and Weevil (Francis Capra) must face the formidable consequences that occurred between the film and present-day. Max Greenfield reprises his role as Leo D’Amato, except this time as an FBI agent working with Veronica on the case. Even if you’re a LoVer, Leo’s presence back on the screen is one that deliberately toys with our emotions, but leaves us with a happy sensation coursing through our veins. 

The plot has a heavy focus on the main mystery in a serialized fashion, so that any newbie can come fresh into this season without even the basic concept and still be able to follow along. The characters are introduced in a manner that subtly recaps their backstory without being overly explanatory, which allows the new faces to scoop in, but gives enough of the nostalgic factors to cater to those long-term marshmallows. Book readers might notice some similarities between this story line and the content of the books, and while some of it seems to be derived from them, this is not an exclusive adaptation.

There is a noticeable lack of mini-mysteries in each episode set within the confines of the larger, long-con mystery that the previous seasons managed to execute so well. A bit of a letdown since those episodic stories also helped provide teachable moments, and without them we’re almost without the moral compass that creator Rob Thomas has perfected in years past. But when you see how twisted this bombing story turns out to be, in hindsight it’s understandable.

The Nostalgia Doesn’t Outweigh the Modernization

Longtime fans are already on the edge of their seats waiting for this revival and eager to figure out what is so “controversial” about it that warrants Bell’s contemplation of falling off of social media during its release (per an interview with E! News). While they will eat up every moment of the new series, Bell is not wrong in that this is arguably the most controversial season of Veronica Mars simply for the arcs in the storyline. With fellow critics having early-screening access and all eight episodes dropping on day one, caution is advised on social media and within articles, as this season is one you do not want to be spoiled on.

Albeit some pandering to LoVe-rs (the acronym for fans who ship Logan and Veronica), which I am all on board for, Veronica Mars isn’t willing to sacrifice its authenticity and realness simply to keep solidified fans happy. Veronica and Logan have been together for a solid five years now and with a particular state of affairs that arise, Veronica must fight a battle within herself and decide what’s more important: the love of her life or protecting herself from her fears? This is not a plot device created in order to cultivate some rundown teenage emotions, but rather to reflect on the characters we have come to know and love.

Veronica desires chaos because that is all she has known; she has found comfort in it and the only way she has learned to cope with life is by fighting that chaos. ‘Classic Logan’ is in reservation as he’s been working with a therapist, but that doesn’t mean we don’t see those sparks inside of him. For what it’s worth, this is the most likeable and stable Logan has ever been. The chemistry between Bell and Dohring on-screen is on fire more than ever before, and they’re much more compelling now that they’re adults with real issues to discuss.

Hulu doesn’t try to recapture the exact essence of the original three seasons and film, which may be somewhat jarring to old fans. This is new, this is different, and this is an emotional roller coaster you need to prepare yourself for in a completely different way. Thomas and Ruggiero-Wright have managed to take the crux of Veronica Mars & Co., encapsulating who she is and what built her to this phase in life, and expand upon it.

We’re no longer looking at a teenage girl whose life is constantly at battles with every rich kid who wants to dual it out, but we still have good ‘ole Veronica Mars. She’s the same in the way that she still has a hard time letting her guard down – both physically and emotionally – and will smack you in the face with her brutal honesty like a baseball coming out of left field. But Veronica is grown up and we needed this version of her. Sure, they could recycle the same character and we’d still love it, but Veronica aging and growing with her original viewers is a great way to give a nod to those fans and simultaneously grow the show.

New Players Pull Up Their Sleeves and the Old Ones Need More Face Time

When Veronica Mars originally aired, there was an overwhelming number of guest stars on the show that later became top notch actors/actresses. Season four’s casting announcements have generated huge buzz, from big names like J.K. Simmons to Patton Oswalt, and Kirby Howell-Baptiste to Clifton Collins Jr as guest stars.

Simmons plays Clyde Pickett, an ex-con who works for Richard Casablancas a.k.a. “Big Dick (David Starzyk) after meeting during their incarceration in Chino. The two are an entertaining pair who receive a huge chunk of screentime but in relevancy to the over-arching story. You know they’re good when they can fit naturally into the Mars world and hold a light to the insanely talented OG casting. A handful of other guest appearances from the original to tease the fandom will leave you with your hands in the air cheering and send your heart racing (good and bad).

Other criminal syndicates include the fantastic addition of Alonzo (Clifton Collins Jr.), who manages to bring laughter and fun to a character that is a literal drug cartel hitman for El Despiadado.

Alonzo and his new partner are in Neptune looking for the at-fault bomber that killed his boss’s nephew. Unfortunately, the El Despiadado storyline is pretty minute and would be a fun side-story to pursue in the next season. If you’ve seen Collins’ other work, you know just how talented he is, and his persona here is no exception. The vicious and brutal pair might give you a chuckle but you know they mean business.

Two other characters that definitely received their fair amount of attention is Patton Oswalt’s Penn Epner and Kirby Howell-Baptiste’s Nicole. Oswalt is a Cho’s Pizza delivery driver (yes, THAT Cho’s), a true crime obsessee and “murder-head” participant. He’s the kind of pain in the arse we love to have around.

But Nicole. What a character. She’s a strong-willed (and seemingly strong-fisted) business owner of the local spring breaker bar, making waves calling out Big Dick and punching douchebag guys in her establishment. Big Dick is advocating for a movement (N.U.T.S) which seeks to remove the spring-breakers and their trash behavior from Neptune, but he also wants to buy up the real estate on the boardwalk, including that of Matty Ross (Izabela Vidovic).

Matty is the deceased motel manager’s daughter and now property owner of Sea Sprite Motel (somehow, even though she’s still in high school). As V’s new protege, Matty seems to have the same lived experiences as Veronica, leading her to the same determined and resiliant personality that Veronica most definitely can resonate with. She’s an entertaining watch when she gets her screen time, but with as much is packed in to this 8 episode mini-series, there just doesn’t seem to be enough time for the characters growing on us and those we remember with a fondness – like Weevil and Wallace.

Wallace is living his best life – married with a son (who happens to be played by Percy’s ACTUAL daughter) – and working at Neptune High. The absolute disappointment here is that we just don’t get enough of him. We spend so much time focusing on the case at hand and the LoVe relationship, it’s like Wallace was cast to the side a bit. While we can all certainly relate to getting older and losing touch with our close friends, it seems odd that Wallace wouldn’t want to extend his help with this case or that Veronica wouldn’t want to rely on him for some advice. This is the biggest letdown in the revival.

And then there’s Weevil (Francis Capra). Why is he one of the most underrated and incredible castings on the show? Probably because he has a deep heart of gold, he’s beyond loyal to Veronica, and Capra knows how to steal the show with a powerful performance. But again, this is another character we needed more of. One of the most beloved in the show and a character that’s still integral to this storyline, Weevil feels underserved and underutilized.

A Girl Needs Closure

There’s no doubt that this is top-tier content from within the Veronica Mars world, a needed step up from season 3 and the film. But if you’re a marshmallow Weevil’s been loving long time, you’ll need to accept what the writers are doing here and understand why.

It’s not sunshine and rainbows. Rob Thomas always desired Veronica Mars be a dark noir and season four absolutely delivers on this principle. It’s a worthwhile investment that most definitely has a clear conclusion, but with enough content and characters that if Hulu were to appease us, a fifth season is a must.

The shocking ending will leave you speechless and have you wondering how Veronica could possibly recover, taking us back to the roots of what makes Ms. Mars the person she is. As V herself said in season one, “Tragedy blows through your life like a tornado, uprooting everything, creating chaos. You wait for the dust to settle, and then you choose. You can live in the wreckage and pretend it’s still the mansion you remember. Or you can crawl from the rubble and slowly rebuild. Because after disaster strikes, the important thing is that you move on. But if you’re like me, you just keep chasing the storm. The problem with chasing the storm is that it wears you down, breaks your spirit. Even the experts agree, a girl needs closure.”

With edgier and more adult content, Veronica Mars is cussin’ back with Mr. Sparky (her taser) in her hand and dusting the wreckage off her shoulders. The private eye achieves her closure, and we are left with enough hope that Mars Investigations will soon be back in business.

Veronica Mars season 4 premieres July 26th, 2019 only on Hulu (U.S.)
Internationally available on Stan (Australia) and Crave (Canada)
Starring Kristen Bell, Enrico Colantoni, and Jason Dohring
Created by Rob Thomas 
Written by Rob Thomas and Diane Ruggiero-Wright