The Winter Line ran though Italy in World War 2. Now Maeve does too, in her many shoes as she tries to escape WarWorld and her fabricated simulation.
Read More »Slider
Critical Thinking | SXSW 2020 Film Review
A chronicle about surviving despite the odds and in face of the consequences, Critical Thinking reminds us all the importance of planning our next move.
Read More »The Surrogate | SXSW 2020 Film Review
Jasmine Batchelor stars as a young surrogate dealing with the reality that her child might be born with Down Syndrome in Jeremy Hersh's The Surrogate.
Read More »Single | SXSW 2020 Film Review
Single is a fantastic ode to the unapologetic and confident women of the world who will accept nothing less than what they desire and transforms the narrative of disabilities.
Read More »I Used To Go Here | SXSW 2020 Film Review
Gillian Jacobs stars an author who returns to her alma mater in I Used To Go Here, a charming exploration of rediscovering the young in all of us. Read on for our review.
Read More »The Carnivores | SXSW 2020 Film Review
If you are a fan of abstract, surreal storytelling supported by strong central performances and a fascinating relationship dynamic, then The Carnivores has more than enough meat for you to chew.
Read More »Taking Lives with Jon Bokenkamp of NBC’s The Blacklist
On this episode of The Hollywood Outsider podcast, we discuss the Angelina Jolie thriller Taking Lives with screenwriter and creator of The Blacklist, Jon Bokenkamp!
Read More »Parce Domine – Westworld S3E1 | Beyond Westworld Podcast
Parce Domine opens up Westworld Season 3 with Dolores on the hunt for money to bring her robot army online as a new threat appears from Incite Inc.
Read More »Home with a View of the Monster | Film Review
As one solid piece of art, Home with a View of the Monster may feel like that guest that won't leave when asked, but in the end, it feels like that guest that improved your life a little while they were there.
Read More »The Hunt (2020) | Film Review
The Hunt is a rip-roaring good time despite its political yammering, led by a monstrously charismatic performance from Betty Gilpin.
Read More »