Strange occurrences plague Helen Hunt and her family in director Adam Randall's 'I See You'. Read on for our spoiler-free review.
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Go Back to China | SXSW 2019 Film Review
A solid performance from Anna Akana and a glossy production mostly overcome a predictable script in Emily Ting's Go Back to China.
Read More »The Art of Self-Defense | SXSW 2019 Film Review
In Riley Stearns' The Art of Self-Defense, Jesse Eisenberg and Alessandro Nivola dominate the screen with a hilarious middle finger to toxic masculinity.
Read More »Mickey and the Bear | SXSW 2019 Film Review
Tragedy strikes in all forms throughout life, but our response is what differentiates us between idly accepting the grief and striving to overcome it no matter the consequences, and that's an aspect Mickey and the Bear examines.
Read More »Yes, God, Yes | SXSW 2019 Film Review
Director Karen Maine beautifully constructs a film with humor and liberation for girls, as they transcend through puberty and must make sense of their "sins".
Read More »Triple Threat (2019) | Film Review
Triple Threat is explosively fun, with some of the best martial arts fight scenes, basic story turned intriguing, and a pronounced cast.
Read More »Long Shot | SXSW 2019 Film Review
Charlize Theron stars as the US Secretary of State making a Presidential run who falls for Seth Rogen's loveable speechwriter in Long Shot.
Read More »The Mountain | SXSW 2019 Film Review
Tye Sheridan and Jeff Goldblum do their best as a doctor and his ward performing lobotomies, but the glacially paced The Mountain is unable to get uphill.
Read More »Captain Marvel (2019) | Film Review
Carol Danvers is an Air Force test pilot, or is she Vers a Kree special forces soldier? We follow on her journey of discovery, as she works through memories she can’t place through amnesia, and learns to control a power she is unfamiliar with. We join Carol and her Kree brethren (these are a race of aliens in the Marvel …
Read More »Politically Incorrect Comedies And The Beloit International Film Festival
We discuss if politically incorrect comedies are dead, whether Steven Spielberg is right to take on Netflix, and the Beloit International Film Festival.
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