Gooooood evening. In this months episode of Presenting Hitchcock, Cory and Aaron find no reason to remake this episode so they're covering both versions of "The Man Who Knew Too Much" (1934 & 1956).
Read More »Presenting Hitchcock
Waltzes from Vienna aka Strauss’ Great Waltz (1934) | Presenting Hitchcock Podcast
Gooooood evening. In this months episode of Presenting Hitchcock, Cory and Aaron spark the fire and romance of “Waltzes from Vienna” aka "Strauss' Great Waltz."
Read More »The Birds (1963) | Presenting Hitchcock Podcast
Gooooood evening. In this months episode of Presenting Hitchcock, Cory and Aaron are in total shock over the greatness of “The Birds”.
Read More »Number Seventeen (1932) | Presenting Hitchcock Podcast
Gooooood evening. In this months episode of Presenting Hitchcock, Cory and Aaron faint, fall down and fight over “Number Seventeen”.
Read More »Rope (1948) | Presenting Hitchcock Podcast
Gooooood evening. In this months episode of Presenting Hitchcock, Cory and Aaron mark themselves amongst the superior few as they discuss “Rope”.
Read More »The Farmer’s Wife (1928) | Presenting Hitchcock Podcast
Gooooood evening. In this months episode of Presenting Hitchcock, Cory and Aaron look for love in all the wrong places as they discuss “The Farmer’s Wife”.
Read More »Family Plot (1978) | Presenting Hitchcock Podcast
Gooooood evening. In this months episode of Presenting Hitchcock, Cory and Aaron look for love in all the wrong places as they discuss “The Farmer’s Wife”.
Read More »Shadow of a Doubt (1943) | Presenting Hitchcock Podcast
Gooooood evening. In this months episode of Presenting Hitchcock, Cory and Aaron unweave a wicked web as they discuss “Shadow of a Doubt”.
Read More »Foreign Correspondent (1940) | Presenting Hitchcock Podcast
In this months episode of Presenting Hitchcock, Cory and Aaron find themselves early in Hitch’s studio career as they discuss “Foreign Correspondent”.
Read More »Introduction To Presenting Hitchcock Podcast
Each month on Presenting Hitchcock, Cory and Aaron look at a randomly drawn film of Hitch’s and examine what makes it so inherently Hitchcockian.
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