Private Desert (2021) | Film Review

We’ve likely all loved someone so deeply that we would run to the ends of the Earth for them. Especially if we feared for their safety. That intensity and deep-rooted affection can make one do the wildest of things. In Deserto Particular – or Private Desert – Daniel (Antonio Saboia) is that knight in shining armor.

Overwhelmed by a violent incident causing a PR nightmare and jeopardizing his career, all while caring for his frail, elderly father, Daniel finds comfort in one thing: Sara. They met online and live far apart, but that doesn’t stop Daniel from dropping everything to find her when she suddenly goes silent. He frantically posts missing signs in her town for fear something awful might have happened. What transpires is a journey that confronts masculinity and the true meaning of love.

Deserto Particular director Aly Muritiba confronts these topics through a slow burn of an introduction, credits beginning nearly 30 minutes into the film. This was an obviously deliberate choice, as Muritiba invites you to become comfortable with Daniel and his lifestyle. Saboia’s Daniel is initially introduced with a heightened masculine presence around him. He comes from a military family and has a career in law enforcement – it doesn’t get more macho than that. 

However, it becomes evident rather quickly how important Daniel’s family is to him, and yet even more so, how important Sara is. This adds a depth to the character we are getting to know. We learn of his vulnerabilities and Saboia masterfully dances between both demeanors. What is fascinating about this is how authentic it is to the male human experience. Men are “supposed” to be strong, immovable, and without vulnerability. Yet deep down, they are still humans with emotions, dreams, and desires, which often are forced into suppression. 

This portrayal of masculinity is confronted on many occasions for Daniel, especially when he finally finds Sara. Sara has a very real understanding of her sexuality and identity, but much like Daniel, fears confronting that with society’s judgements. This is an excellent parallel from writer Aly Muritiba to give viewers insight into the emotional complexity of trying to exist within the standards of your environment. 

As a bisexual/pansexual woman, I connected quite deeply with both sides of the film. Neither Sara nor Daniel are entirely transparent or forthcoming with everyone around about these aspects of themselves, but at no point come across as apologetic. The way these two characters connect with themselves and each other is incredibly beautiful and deep, and you’ll find the cinematography reflects this with ever-changing landscapes and styles that almost seem to disorient the audience to reflect the disorientation of our two leads. 

Regardless of where on the spectrum your sexuality falls, Deserto Particular a.k.a. Private Desert bewitchingly explores the story of who we all are through Daniel and Sara. You’ll learn plenty about them and you’ll likely learn a thing or two about yourself, as well.